{"id":1876,"date":"2020-03-11T10:25:21","date_gmt":"2020-03-11T09:25:21","guid":{"rendered":"https:\/\/www.laquartacorda.it\/en\/?p=1876"},"modified":"2024-04-05T18:51:21","modified_gmt":"2024-04-05T16:51:21","slug":"japanese-rope-bondage-glossary","status":"publish","type":"post","link":"https:\/\/www.laquartacorda.it\/en\/japanese-rope-bondage-glossary\/","title":{"rendered":"Japanese rope bondage glossary"},"content":{"rendered":"

\"\"<\/p>\n

In this dictionary I collected more than one hundred fifty <\/strong>of the most used terms in Japanese bondage<\/strong>.<\/p>\n

Here you can find the explanation and the Japanese audio pronunciation<\/strong> of each expression. Japanese is very hard to correctly pronounce for a foreigner, both for accents, basically not present in this language, and for intonation. For example \u201ckinbaku\u201d is not pronounced [\u2018kinbaku] or [kinba\u2019ku], not even [kin’baku], but a sort of [\u2018kin ba\u2019ku], because it\u2019s a word composed of \u201ckin\u201d and \u201cbaku\u201d.<\/p>\n

As for the transliteration I adopted the Hepburn system. Compound terms are written sometimes joined and sometimes separated (e.g. \u201cbatten dome\u201d or \u201cbattendome\u201d).<\/p>\n

Please remember that in Japanese there\u2019s a certain freedom in calling some ties and in some cases there aren\u2019t either exact and widely used terms and they can be different for each style. Moreover some words can indicate different body parts, like \u201cashi\u201d that indicates both leg and foot.<\/p>\n

Nowadays also transliterations from English are used, like \u201ctenshon\u201d for \u201ctension\u201d, \u201csasupenshon\u201d for \u201csuspension\u201d, \u201cr\u016bpu\u201d for \u201cloop\u201d, etc.<\/p>\n

Also remember that some words change when used in compound terms. E.g. tsuri becomes zuri, hishi becomes bishi, tome becomes dome, kata becomes gata, hashira becomes bashira, seme becomes zeme, etc.<\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Aibunawa (\u611b\u64ab\u7e69)
\n<\/strong><\/strong><\/td>\n		\u201cCaressing style\u201d performed by Yukimura Haruki sensei. The difference with the “semenawa” (see) is not in feeling pain or not, but in the mental state. In the aibunawa ties aren\u2019t too tight so the bottom could think they can escape. In semenawa instead the focus is the torment, ties are tight and there is nothing the bottom can do in order to “resist” to the tie itself. From “aibu”, to caress, and “nawa”, ropes.<\/td>\n<\/tr>\n
Agura shibari (\u80e1\u5ea7\u7e1b\u308a)
\n<\/strong><\/strong>\n		Tie with crossed legs. From “agura\u201d, lit. \u201cbarbaric sitting\u201d, term used to indicate the Western way to sit with crossed legs, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Amatta nawa (\u4f59\u3063\u305f\u7e04)
\n<\/strong><\/strong>		It\u2019s the leftover rope at the end of a tie, exhausted with non-structural or decorative passages. From \u201camatta\u201d, exceeding, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Aomuke zuri (\u4ef0\u5411\u3051\u540a\u308a)
\n<\/strong><\/strong>		\u00a0Face up suspension. From \u201caomuke\u201d, face-up, and \u201ctsuri\u201d, suspension.<\/td>\n<\/tr>\n
Aranawa (\u8352\u7e04)
\n<\/strong><\/strong>		Raw rope, generally made by rice straw. From \u201cara\u201d, raw, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Asanawa (\u9ebb\u7e04)
\n<\/strong><\/strong>		Natural fiber rope. From \u201casa\u201d, term for jute, hemp and linen fiber, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Ashi (\u8db3)
\n<\/strong><\/strong>		Leg.<\/td>\n<\/tr>\n
Bakushi (\u7e1b\u5e2b)
\n<\/strong><\/strong>		Abbreviation of \u201ckinbakushi\u201d (see).<\/td>\n<\/tr>\n
Battendome (\u7f70\u70b9\u7559\u3081)
\n<\/strong><\/strong>		X shaped friction like the one that blocks the passages of the upper band of some gotes. From \u201cbatten\u201d, the cross mark for something wrong, and \u201ctome\u201d, friction.<\/td>\n<\/tr>\n
Bondage<\/strong><\/td>\nThis word literally means \u201cslavery\u201d and includes all the techniques that cause restraint, from ropes to handcuffs, from spreader bars to mummification. The bondage done with ropes is properly called \u201crope bondage\u201d. Two cents of etymological research. This term appears in English around 1300 to indicate a legal condition of a serf or a slave. The origin of this word dates back from Middle English (XII-XV c.) “bond”, the tenant farmer. We can find an older root in Old English (V-XII c.) “bonda”, related to the coeval Old Norse \u201cboanda\u201d, the free-born farmer. The Indo-European root of this word is *bheue-, \u201cdwell, inhabit\u201d, and it\u2019s the same of the verb \u201cto be\u201d.<\/td>\n<\/tr>\n
Bondager<\/strong><\/td>\nWrong neologism used in the past to indicate the tying person. See \u201ctop\u201d.<\/td>\n<\/tr>\n
Bottom<\/strong><\/td>\nThe tied person. This term doesn\u2019t presume the existence of a submissive relationship with the partner.<\/td>\n<\/tr>\n
Box tie<\/strong><\/td>\nSee \u201cgote shibari\u201d.<\/td>\n<\/tr>\n
Bunny<\/strong><\/td>\nSee \u201crope bunny\u201d.<\/td>\n<\/tr>\n
Buranko (\u97a6\u97c6)
\n<\/strong><\/strong>		Jumping on a suspended person using them like a swing. From \u201cburanko\u201d, swing.<\/td>\n<\/tr>\n
Cinch<\/strong><\/td>\nSee \u201ckannuki\u201d.<\/td>\n<\/tr>\n
Chokushin gote shibari (\u76f4\u9032\u5f8c\u624b\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with the arms tied straight behind the back. The so-called \u201cstrappado\u201d (see). From \u201cchokushin\u201d, straight, \u201cgote\u201d, arms behind the back, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Daruma shibari (\u9054\u78e8\u7e1b\u308a)
\n<\/strong><\/strong><\/td>\n		Tie with the legs tied on the sides of the torso and with the arms passing under the legs and tied on the hips. \u201cDaruma\u201d is the Japanese name of Bodhidharma, the Buddhist monk who started the Zen school. \u201cDaruma\u201d is also a Japanese rounded doll, depicting the monk with red dresses, big eyes and without arms and legs. A legend tells Bodhidharma meditated for such a long time and without moving that he lost arms and legs.<\/td>\n<\/tr>\n
Deshi\u00a0(\u00a0\u5f1f\u5b50)
\n<\/strong><\/strong>		Student. In Japanese this term is full of meanings and indicates a person following a teacher, a master (see \u201csensei\u201d). The status of \u201cdeshi\u201d isn\u2019t implicit but is given by the teacher when they see a sort of devotion to their style and a continuation of their teachings. When a deshi becomes very experienced, they can receive a \u201cmenkyo\u201d, an authorisation to teach. So a \u201cdeshi\u201d is like a \u201cdisciple\u201d. A student in general is called \u201cgakusei\u201d.<\/td>\n<\/tr>\n
D\u014dj\u014d (\u9053\u5834)
\n<\/strong><\/strong>		Venue for martial arts. In Japan a dojo isn\u2019t only a gymnasium. It\u2019s a place where, through the zen practice, is possible to achieve a mind-body unit and a right \u00a0comprehension of the self and the world. Despite in the West some bondage schools are called \u201cdojo\u201d, in Japan this word isn\u2019t related to kinbaku. From \u201cd\u014d\u201d, way \/ path, and \u201cj\u014d\u201d, place, so \u201cplace where you can follow the way\u201d.<\/td>\n<\/tr>\n
Dorei (\u5974\u96b7)
\n<\/strong><\/strong>		Slave. This term isn\u2019t uses as synonym of bottom because it has a very strong meaning.<\/td>\n<\/tr>\n
Double column tie<\/strong><\/td>\nIt\u2019s a double rope \u201ccuff\u201d closed with a knot and made by one or more passages that encircle two \u201ccolumns\u201d, or two elements with circular section, like two wrists, two legs, a wrist and an ankle, etc. This two elements are divided by a kannuki (see) or a cinch (see). See also \u201ctejo shibari\u201d and \u201ckata tekubi shibari\u201d.<\/td>\n<\/tr>\n
Ebi shibari (\u6d77\u8001\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with the bottom sitting cross-legged (in \u201cagura\u201d, see) and with the chest bent forward. This tie origins as traditional torture in Japan (ebizeme). From \u201cebi\u201d, shrimp, because of the curved shape of the bent body that reminds the shape of a shrimp, and \u201cshibari\u201d, tie, or \u201cseme\u201d, torture.<\/td>\n<\/tr>\n
Ebizeme (\u6d77\u8001\u8cac\u3081)
\n<\/strong><\/strong>		See \u201cebi shibari\u201d.<\/td>\n<\/tr>\n
Floorwork<\/strong><\/td>\nTying on the floor without doing suspensions. See also \u201cnewaza\u201d and \u201cyukashibari\u201d.<\/td>\n<\/tr>\n
Fundoshi (\u890c)
\n<\/strong>		A fundoshi is a long rectangle of cloth (ab. 30×200 cm) used \u2013 today and in the past – as male underwear. There are many kinds of fundoshi such as the rokushaku fundoshi (a fundoshi six shaku long, about two meters) that is a sort of loincloth, and the ecch\u014d fundoshi that on the front is like a little apron. Traditionally women didn\u2019t wear underwear under their kimono, but they could wear a sort of fundoshi during menstruations. The fundoshi, as female garment, begins to be used in historical films during the \u201850s to avoid censorship problems. From that moment it became a sort of sexy and fetish garment for women, allowing to avoid censorship that in Japan forbids genitals exposure for photos.<\/td>\n<\/tr>\n
Furoshiki (\u98a8\u5442\u6577)
\n<\/strong><\/strong>		Square of cloth of variable dimension (about 70x70cm) used to wrap and carry things in Japan.<\/td>\n<\/tr>\n
Fusion bondage<\/strong><\/td>\nKind of Western bondage (see) that includes some ties from Japanese bondage, but with a different approach and aestetics. Synthetic and coloured ropes can be used, also for decorative ties, and the focus is more on the final outcome and on the use of the tie itself than on the \u201cjourney\u201d.<\/td>\n<\/tr>\n
Futomomo shibari (\u592a\u3082\u3082\u7e1b\u308a)
\n<\/strong><\/strong>		Tie of a leg bent. From \u201cfutomomo\u201d, thigh.<\/td>\n<\/tr>\n
Goshujinsama (\u3054\u4e3b\u4eba\u69d8)
\n<\/strong><\/strong>		Master.<\/td>\n<\/tr>\n
Gote shibari (\u5f8c\u624b\u7e1b\u308a)
\n<\/strong><\/strong>		Torso tie with hands behind the back. From \u201cgo\u201d, behind (this kanji can be read also \u201cushiro\u201d, so this tie can be called also “ushirote shibari”), \u201cte\u201d, arm, and \u201cshibari\u201d, tie. See also \u201ctakate kote shibari\u201d. In English it\u2019s called also \u201cbox tie\u201d when the arms are tied behind the back with parallel forearms.<\/td>\n<\/tr>\n
Gyaku ebi shibari (\u9006\u6d77\u8001\u7e1b\u308a)
\n<\/strong><\/strong>		Face down tie or suspension with backward arched back. From \u201cgyaku\u201d, reverse, \u201cebi\u201d, shrimp, because the curved shape of the bent body reminds the shape of a shrimp, and \u201cshibari\u201d or \u201ctsuri\u201d, tie or suspension, so literally \u201creverse shrimp tie \/ suspension\u201d.<\/td>\n<\/tr>\n
Gyaku ebi zuri (\u9006\u6d77\u8001\u540a\u308a)
\n<\/strong><\/strong>		See\u00a0 \u201cgyaku ebi shibari\u201d.<\/td>\n<\/tr>\n
Hafu hichizu <\/strong><\/td>\nHalf hitch. Transliteration from the English term. Japanese doesn\u2019t have an expression for this knot and generally uses \u201cmusubi\u201d (see), knot.<\/td>\n<\/tr>\n
Hakodome (\u7bb1\u7559\u3081)
\n<\/strong><\/strong>		\u201cHalf moon\u201d friction, like the one used to block the passages of the lower band in some kind of gotes. From \u201chako\u201d, box, and \u201ctome\u201d, friction.<\/td>\n<\/tr>\n
Haritsuke (\u78d4)
\n<\/strong><\/strong>		Crucifixion. This tie origins as torture used on Christians during Edo period.<\/td>\n<\/tr>\n
Harness<\/strong><\/td>\nTie supporting a part of the body (hip harness, calf harness, etc).<\/td>\n<\/tr>\n
Hashigata zuri (\u6a4b\u578b\u540a\u308a)
\n<\/strong><\/strong>		Face up suspension with arched back, generally with the body supported by a hip harness. From \u201chashi\u201d, bridge, \u201ckata\u201d, form, and \u201ctsuri\u201d, suspension, so \u201cbridge shaped suspension\u201d.<\/td>\n<\/tr>\n
Hashira (\u67f1)
\n<\/strong><\/strong>		Vertical wooden beam used as support in Japanese traditional houses. It can be used as support for ties (hashira shibari). The horizontal beam is called yokobashira.<\/td>\n<\/tr>\n
Hashira shibari (\u67f1\u7e1b\u308a)
\n<\/strong><\/strong>		See \u201chashira\u201d.<\/td>\n<\/tr>\n
Hazukashii (\u6065\u305a\u304b\u3057\u3044)
\n<\/strong><\/strong>		The feeling of embarrassment that a bottom can feel playing with ropes. From \u201chazukashii\u201d, embarrassing, shameful.<\/td>\n<\/tr>\n
Hentai (\u5909\u614b)
\n<\/strong><\/strong>		This adjective indicates something not conventional, erotic and bizarre, more specifically referred to adult animes and mangas. In Japanese this term has a negative connotation, like \u201cabnormal \/ perverted\u201d in English.<\/td>\n<\/tr>\n
Hibari musubi (\u96f2\u96c0\u7d50\u3073)
\n<\/strong><\/strong>		Lark\u2019s head knot. From \u201chibari\u201d, lark, and \u201cmusubi\u201d, knot.<\/td>\n<\/tr>\n
Hikyaku zuri (\u98db\u811a\u540a\u308a)
\n<\/strong><\/strong>		Suspension where the bottom is suspended vertically with a leg forward and the other one back, like a postman running to deliver mail. From \u201chikyaku\u201d, postman, and \u201ctsuri\u201d, suspension. It\u2019s also called \u201crunning man suspension\u201d.<\/td>\n<\/tr>\n
Hishi shibari (\u83f1\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with passages that create diamond shapes. From \u201chishi\u201d, diamond shape, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Hogtie<\/strong><\/td>\nFacedown tie with wrists and ankles tied together. See also \u201cutsubuse shibari\u201d. This word is also used transliterated in Japanese (\u30db\u30c3\u30b0\u30bf\u30a4,\u201choggutai\u201d).<\/td>\n<\/tr>\n
Hojo cuff<\/strong><\/td>\nSee \u201chojo tie\u201d.<\/td>\n<\/tr>\n
Hojo tie<\/strong><\/td>\nNeologism that indicates the modern shibari ties inspired by those traditional ones of hojojutsu, e.g. \u201chojo cuffs\u201d, a sort of tensioned single column tie (see).<\/td>\n<\/tr>\n
H\u014dj\u014djutsu (\u6355\u7e04\u8853)
\n<\/strong><\/strong>		Japanese martial art of defense or restraining a person using rope. Also called “nawajutso” or “torinawajutso”. From \u201cho\u201d, capture, \u201cjo\u201d, rope, and \u201cjutsu\u201d, art \/ technique.<\/td>\n<\/tr>\n
Hon musubi (\u672c\u7d50\u3073)
\n<\/strong><\/strong>		Square knot. From \u201chon\u201d, main, and \u201cmusubi\u201d, knot.<\/td>\n<\/tr>\n
Ichinawa<\/strong><\/td>\nWrong term for \u201cippon nawa\u201d (see). The counter for a single rope actually isn\u2019t \u201cichi\u201d but \u201cippon\u201d.<\/td>\n<\/tr>\n
Ippon nawa shibari (\u4e00\u672c\u7e04\u7e1b\u308a)
\n<\/strong><\/strong>		Tie done with a single rope. From \u201cippon\u201d, one, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Ishidaki (\u77f3\u62b1\u304d)
\n<\/strong><\/strong>		Tie with the bottom sitting on the knee on a board with triangular wedges, called \u201csoroban\u201d (see). Its origins as torture in which, besides this position, some stones were placed on the legs and then they were tied to the prisoner. From \u201cishi\u201d, stone, and \u201cdaku\u201d, to embrace, so \u201cembracing the stones\u201d.<\/td>\n<\/tr>\n
Jiai shibari (\u81ea\u611b\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with hands in front of the chest like the tied person embrace themself. From \u201cji\u201d, themself, \u201cai\u201d, love, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Jibaku (\u81ea\u7e1b)
\n<\/strong><\/strong>		Self bondage. From \u201cji\u201d, themself, and \u201cbaku\u201d, an abbreviation for \u201ckinbaku\u201d.<\/td>\n<\/tr>\n
J\u014d o-sama (\u5973\u738b\u69d8)
\n<\/strong><\/strong>		Mistress. From \u201cj\u014d\u201d, queen.<\/td>\n<\/tr>\n
Kaikyaku kani shibari (\u958b\u811a\u87f9\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with the bottom sitting with open legs and the forearms tied to calves. From \u201ckai\u201d, open, \u201ckyaku\u201d, leg, \u201ckani\u201d, crab, and \u201cshibari\u201d, tie, so \u201ctie like a crab with open legs\u201d.<\/td>\n<\/tr>\n
Kami shibari (\u9aea\u7e1b\u308a)
\n<\/strong><\/strong>		Hair tie. From \u201ckami\u201d, hair, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Kannuki (\u9582)
\n<\/strong><\/strong>		Passage that hooks a rope band passing through two \u201ccolumns\u201d, like in a double column tie (see). From \u201ckannuki\u201d, latch. It\u2019s called \u201ccinch\u201d (see) in English.<\/td>\n<\/tr>\n
Karada<\/strong><\/td>\nWrong term for \u201chishi shibari\u201d (see). From \u201ckarada\u201d, body.<\/td>\n<\/tr>\n
Kata ashi sakasa zuri (\u7247\u8db3\u9006\u3055\u540a\u308a)
\n<\/strong><\/strong>		Upsidedown suspension for a single ankle. From \u201ckata\u201d, one (of a pair), \u201cashi\u201d, leg, \u201csakasa\u201d, upsidedown, and \u201ctsuri\u201d, suspension.<\/td>\n<\/tr>\n
Kata ashi zuri (\u7247\u8db3\u540a\u308a)
\n<\/strong><\/strong>		Partial suspension with only a leg lifted. From \u201ckata\u201d, one (of a pair), \u201cashi\u201d, leg, and \u201ctsuri\u201d, suspension.<\/td>\n<\/tr>\n
Kata tekubi shibari (\u7247\u624b\u9996\u7e1b\u308a)
\n<\/strong><\/strong>		Single wrist tie. From \u201ckata\u201d, one (of a pair), \u201ctekubi\u201d, wrist, and \u201cshibari\u201d, tie. See also \u201ctejo shibari\u201d.<\/td>\n<\/tr>\n
Kazari nawa (\u98fe\u308a\u7e04)
\n<\/strong><\/strong>		Decorative rope. This term is used to indicate non- structural passages that can be made to exaust a rope at the end of a tie. From \u201ckazari\u201d, decoration, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Kemono shibari (\u7363\u7e1b\u308a)
\n<\/strong><\/strong>		See \u201ctanuki shibari\u201d. From \u201ckemono\u201d, beast, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Kikk\u014d shibari (\u4e80\u7532\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with a pattern looking like a turtle shell, for example with a rope exagon on the chest. From \u201ckikk\u014d\u201d, tortoiseshell, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Kinbaku (\u7dca\u7e1b)
\n<\/strong><\/strong>		Shibari synonym. This word is related only to erotic bondage. From \u201ckin\u201d, tight \/ strong, and \u201cbaku\u201d, tie (\u201cbaku\u201d is a different reading of the kanji used in the word \u201cshibari\u201d).<\/td>\n<\/tr>\n
Kinbakubi (\u7dca\u7e1b\u7f8e)
\n<\/strong><\/strong>		The beauty of kinbaku, or the beauty emanated by a tied body. From \u201ckinbaku\u201d, erotic bondage, and \u201cbi\u201d, beauty.<\/td>\n<\/tr>\n
Kinbakushi (\u7dca\u7e1b\u5e2b)
\n<\/strong><\/strong>		Kinbaku teacher. Called also \u201cnawashi\u201d. From \u201ckinbaku\u201d, erotic bondage, and \u201cshi\u201d, teacher.<\/td>\n<\/tr>\n
Kokoro (\u5fc3)
\n<\/strong><\/strong>		Japanese term for mind, heart and spirit harmony and will and feelings union.<\/td>\n<\/tr>\n
Koshi nawa (\u8170\u7e04)
\n<\/strong><\/strong>		Rope around hips. From \u201ckoshi\u201d, waist \/ hips, and \u201cnawa\u201d, rope. \u201cDo nawa\u201d is instead a rope around the upper part of the waist, under the rib cage.<\/td>\n<\/tr>\n
Kotobazeme (\u8a00\u8449\u8cac\u3081)
\n<\/strong><\/strong>		Torture with words, telling something humiliating to the bottom in order to arouse them and making them feel ashamed. From \u201ckotoba\u201d, word, and \u201cseme\u201d, torture \/ torment.<\/td>\n<\/tr>\n
K\u014dt\u014dbu ry\u014d tekubi shibari (\u5f8c\u982d\u90e8\u4e21\u624b\u9996\u7e1b\u308a)
\n<\/strong><\/strong>		See \u201cusagi shibari\u201d. From \u201ck\u014dt\u014dbu\u201d, nape, \u201cry\u014d\u201d, two (of a pair), \u201ctekubi\u201d, wrist, and \u201cshibari\u201d, tie, so \u201ctwo wrists tied on the nape\u201d.<\/td>\n<\/tr>\n
Kuzushi nawa (\u5d29\u3057\u7e04)
\n<\/strong><\/strong>		Ties or passages breaking the symmetry and the precision of a tie, up to be intentionally caotic. It may refer to a small particular or to a whole tie. It\u2019s a term coming from calligraphy art. From \u201ckuzushi\u201d, messy \/ destructured.<\/td>\n<\/tr>\n
Ma (\u9593)
\n<\/strong><\/strong>		Space or time between two elements. In bondage it\u2019s the time between two ties or two passages of a tie. During those moments you can give a meaning to what you are doing, clarify an intention, take your time to live your session. From \u201cma\u201d, between.<\/td>\n<\/tr>\n
Macram\u00e9<\/strong><\/td>\nDecorative ties or passages. Macram\u00e9 is a form of textile produced using knotting techniques.<\/td>\n<\/tr>\n
Mae te shibari (\u524d\u624b\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with hands on the chest. From \u201cmae\u201d, in front, \u201cte\u201d, arm, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Main line<\/strong><\/td>\nThe rope that supports most of the weight in a suspension.<\/td>\n<\/tr>\n
Matanawa (\u80a1\u7e04)
\n<\/strong><\/strong>		Crotch tie. From \u201cmata\u201d, crotch, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Matazuri (\u80a1\u540a\u308a)
\n<\/strong><\/strong>		Suspension from a crotch rope. From \u201cmata\u201d, crotch, and \u201ctsuri\u201d, suspension.<\/td>\n<\/tr>\n
M-ji shibari (M-\u5b57\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with the legs bent and open in front of the chest, creating an M shape. From \u201cM\u201d and \u201cji\u201d, shape, so \u201cM shaped\u201d, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
M-j\u014d (M-\u5b22)
\n<\/strong><\/strong>		Masochist woman. From \u201cM\u201d, abbreviation of \u201cmasochist\u201d, and \u201cj\u014d\u201d, woman.<\/td>\n<\/tr>\n
M-otoko (M-\u7537)
\n<\/strong><\/strong>		Masochist man. From \u201cM\u201d, abbreviation of \u201cmasochist\u201d, and \u201cotoko\u201d, man.<\/td>\n<\/tr>\n
Moderu (\u30e2\u30c7\u30eb)
\n<\/strong><\/strong>		Model. Transliteration of the English word.<\/td>\n<\/tr>\n
Moyai musubi (\u822b\u3046\u3044\u7d50\u3073)
\n<\/strong><\/strong>		Bowline knot. From \u201cmoyau\u201d, to moor, and \u201cmusubi\u201d, knot. This knot is called also \u201cb\u016brin notto\u201d in Japanese, using an English transliteration.<\/td>\n<\/tr>\n
Munenawa (\u80f8\u7e04)
\n<\/strong><\/strong>		Chest tie. From \u201cmune\u201d, chest, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Muneshita (\u80f8\u4e0b)
\n<\/strong><\/strong>		Rope band under the chest in a chest harness, like a gote. From \u201cmune\u201d, chest, and \u201cshita\u201d, lower.<\/td>\n<\/tr>\n
Muneue (\u80f8\u4e0a)
\n<\/strong><\/strong>		Rope band on the top of the chest in a chest harness, like a gote. From \u201cmune\u201d, chest, and \u201cue\u201d, upper.<\/td>\n<\/tr>\n
Musubi (\u7d50\u3073)
\n<\/strong><\/strong>		Knot. See also “hafu hichizu”.<\/td>\n<\/tr>\n
Nawa (\u7e04)
\n<\/strong><\/strong>		Rope. In Japanese the term \u201c\u30ed\u30fc\u30d7\u201d, \u201cr\u014dpu\u201d is also used to indicate a rope in general.<\/td>\n<\/tr>\n
Nawa ato (\u7e04\u8de1)
\n<\/strong><\/strong>		Marks left by the rope pressure on the skin. From \u201cnawa\u201d, corda, and \u201cato\u201d, mark.<\/td>\n<\/tr>\n
Nawa gashira (\u7e04\u982d)
\n<\/strong><\/strong>		Bight. From \u201cnawa\u201d, rope, and \u201ckashira\u201d, beginning.<\/td>\n<\/tr>\n
Nawa jiri (\u7e04\u5c3b)
\n<\/strong><\/strong>		The ending part of a rope. From \u201cnawa\u201d, rope, and \u201cjiri\u201d, end.<\/td>\n<\/tr>\n
Nawa kai (\u7e04\u4f1a)
\n<\/strong><\/strong>		In Japanese this term indicates both a rope jam and an event organised by a master where attendees can see the kinbakushi tying and then chat with them. From \u201cnawa\u201d, rope, and \u201ckai\u201d, meeting.<\/td>\n<\/tr>\n
Nawashi (\u7e04\u5e2b)
\n<\/strong>		See \u201ckinbakushi\u201d.<\/td>\n<\/tr>\n
Neokinbaku (\u30cd\u30aa\u7dca\u7e1b)<\/strong><\/td>\nJapanese neologism for a more decorative and less traditional bondage or for art forms the mix shibari with other performing arts, like UV reactive ropes (cyber rope, in Japanese \u201c\u30b5\u30a4\u30d0\u30fc \u30ed\u30fc\u30d7\u201d, “saib\u0101 r\u014dpu”), body paint, zentai, animegao kigurumi, etc. Some artist realize also artistic installations with ropes and objects (in Japanese \u201c\u30a2\u30fc\u30c8\u00a0 \u30ed\u30fc\u30d7\u00a0 \u30a4\u30f3\u30b9\u30bf\u30ec\u30fc\u30b7\u30e7\u30f3\u201d, \u201c\u0101to r\u014dpu insutar\u0113shon\u201d, transliteration of \u201cart rope installation\u201d).<\/td>\n<\/tr>\n
Newaza (\u5bdd\u6280)
\n<\/strong><\/strong>		Tying on the floor without doing suspensions. This term comes from martial arts and it isn\u2019t universally used in the bondage field.\u00a0 From \u201cne\u201d, ground, and \u201cwaza\u201d, technique. See also \u201cyuka shibari\u201d.<\/td>\n<\/tr>\n
Nodome (\u306e\u7559\u3081)
\n<\/strong><\/strong>		\u201cNo\u201d (\u306e) shaped friction. In English this knot is called \u201cmounter hitch\u201d. From \u201cno\u201d, a Japanese syllable, and \u201ctome\u201d, friction.<\/td>\n<\/tr>\n
Partial suspension<\/strong><\/td>\nTie with some parts of the body suspended but with other parts still on the floor. It\u2019s called also \u201chalf suspension\u201d or \u201cfloor suspension\u201d.<\/td>\n<\/tr>\n
Peer rope<\/strong><\/td>\nBondage meeting where practitioners can study together like in a \u201cstudy group\u201d. Indeed \u201cpeer\u201d refers back to the idea of \u201cpeer education\u201d. This term is sometimes incorrectly used as a synonym for \u201crope jam\u201d (see).<\/td>\n<\/tr>\n
Predicament bondage<\/strong><\/td>\nTie where the bottom is in a very uncomfortable or painful position, but changing the position to have relief the other position is as much uncomfortable.<\/td>\n<\/tr>\n
Rigger<\/strong><\/td>\nSynonym for top (see), a more internationally used term.<\/td>\n<\/tr>\n
Rope bunny<\/strong><\/td>\nSynonym for bottom (see), a more internationally used term. It is an American slang term to indicate a girl enthusiastic about some activity, for example \u201cgym bunny\u201d or \u201cdisco bunny\u201d.<\/td>\n<\/tr>\n
Rope jam<\/strong><\/td>\nInformal meeting to play with ropes together.\u00a0This term comes from \u201cjam session\u201d, a musical meeting where musicians play together improvising. In Japan they are called also \u201csalon\u201d.<\/td>\n<\/tr>\n
Ry\u014d ashi zuri (\u4e21\u8db3\u540a\u308a)
\n<\/strong><\/strong>		Suspension with both legs lifted. From \u201cry\u014d\u201d, both, \u201cashi\u201d, leg, and \u201ctsuri\u201d, suspension.<\/td>\n<\/tr>\n
Ry\u014d tekubi shibari (\u4e21\u624b\u9996\u7e1b\u308a)
\n<\/strong><\/strong>		Two wrists tie. From \u201cry\u014d\u201d, both, \u201ctekubi\u201d, wrist, and \u201cshibari\u201d, tie. See also \u201ctejo shibari\u201d.<\/td>\n<\/tr>\n
Ry\u016b (\u6d41)
\n<\/strong><\/strong>		Style of a Japanese master (as Osada ry\u016b, Naka ry\u016b, Yukimura ry\u016b, ecc).<\/td>\n<\/tr>\n
Sabaki (\u634c\u304d)
\n<\/strong><\/strong>		Dexterity. It\u2019s used in various fields, from martial arts to cooking. In Japanese bondage the sabaki is the ability to make the ropes flow with agility, smoothly, without creating frictions or messy knots.<\/td>\n<\/tr>\n
Sakasa zuri (\u9006\u3055\u540a\u308a)
\n<\/strong><\/strong>		Upsidedown suspension. From \u201csakasa\u201d, upsidedown, and \u201ctsuri\u201d, suspension.<\/td>\n<\/tr>\n
Sakuranbo<\/strong><\/td>\nWrong term used in the West for a crotch rope. The right term is \u201cmatanawa\u201d (see). From \u201csakuranbo\u201d, cherry.<\/td>\n<\/tr>\n
Salon<\/strong><\/td>\nSee \u201crope jam\u201d.<\/td>\n<\/tr>\n
Sarugutsuwa (\u733f\u8f61)
\n<\/strong><\/strong>		Gag. When it\u2019s made of rope it\u2019s called also \u201cnawakutsuwa\u201d (\u7e04\u8f61).<\/td>\n<\/tr>\n
Seiza (\u6b63\u5ea7)
\n<\/strong><\/strong>		Sit on the knee, in a typical Japanese way.<\/td>\n<\/tr>\n
Seme (\u8cac\u3081)
\n<\/strong><\/strong>		Termine che indica sia tortura che tormento. \u00c8 il termine che veniva utilizzato anche per indicare le attivit\u00e0 sadomasochistiche.<\/td>\n<\/tr>\n
Seme-e (\u8cac\u3081\u7d75)
\n<\/strong><\/strong>		This term means both torture and torment. It was used to indicate sadomasochistic activities in general.<\/td>\n<\/tr>\n
Semenawa (\u8cac\u3081\u7e04)
\n<\/strong><\/strong>		Literally \u201crope of torture \/ torment\u201d. This word was coined by a producer of a Japanese video production company watching Naka Akira\u2019s style and it ended up indicating the style of this rope master. From \u201cseme\u201d, torture \/ torment, and \u201cnawa\u201d, rope. See also “aibunawa”.<\/td>\n<\/tr>\n
Semerarete (\u8cac\u3081\u3089\u308c\u3066)
\n<\/strong><\/strong>		Bottom (see). Literally \u201ctortured person\u201d.<\/td>\n<\/tr>\n
Semete (\u8cac\u3081\u624b)
\n<\/strong><\/strong>		Top (see). Literally \u201ctorturing person\u201d.<\/td>\n<\/tr>\n
Sensei (\u5148\u751f)
\n<\/strong><\/strong>		Teacher \/ master. This term, although it can be used also in a generic acceptation, can have a strong meaning, indicating a person with authority and experience, a teacher of life, as well of a practice. A sensei shows their way in an art (the \u201cry\u016b\u201d (see), style) to their disciples ( \u201cdeshi\u201d, see). \u201cSensei\u201d literally means \u201cborn before\u201d.<\/td>\n<\/tr>\n
Shibari (\u7e1b\u308a)
\n<\/strong><\/strong>		This term indicates a \u201ctie\u201d in general, not only for erotic purposes. See also \u201ckinbaku\u201d.<\/td>\n<\/tr>\n
Shibarite(\u7e1b\u308a\u624b)
\n<\/strong><\/strong><\/td>\n		The tying person, top.<\/td>\n<\/tr>\n
Shinju<\/strong><\/td>\nA wrong term for a breast tie. The correct Japanese term is \u201cmunenawa\u201d (see). From \u201cshinju\u201d, pearl.<\/td>\n<\/tr>\n
Shiten (\u652f\u70b9)
\n<\/strong><\/strong>		Suspension point, generally a wooden beam or some structure. From \u201cshiten\u201d, \u00a0support.<\/td>\n<\/tr>\n
Shuronawa (\u68d5\u6ada\u7e04)
\n<\/strong><\/strong>		Palm rope, also incorrectly called \u201ccoconut rope\u201d. From \u201cshuro\u201d, palm, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Sh\u016bchi nawa (\u7f9e\u6065\u7e04)
\n<\/strong><\/strong>		Tie or passage realized to make the tied person embarrassed. From \u201csh\u016bchi\u201d, embarrassment, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Single column tie<\/strong><\/td>\nIt\u2019s a rope \u201ccuff\u201d closed with a knot and made by one or more passages that encircle a \u201ccolumn\u201d, or an element with a circular section, like a limb, the torso, a bamboo, etc. See also \u201ctejo shibari\u201d and \u201cry\u014d tekubi shibari\u201d.<\/td>\n<\/tr>\n
S-j\u014d (S-\u5b22)
\n<\/strong><\/strong>		Sadistic woman, mistress. From \u201cS\u201d, an abbreviation for \u201csadistic\u201d, and \u201cj\u014d\u201d, woman.<\/td>\n<\/tr>\n
Somerville bowline<\/strong><\/td>\nA very stable version of a bowline knot. This knot was created by Topologist in 2009, based on the knot n. 1445 of the Asley Book of Knots. It works well also in tension and is very compact. It can be used to close a tie, like in a single or double tie. \u201cSomerville\u201d is a city in Massachusetts where this knot was developed.<\/td>\n<\/tr>\n
Soroban (\u7b97\u76e4)
\n<\/strong><\/strong>		Wooden table with triangular wedges, used for ishidaki (see). From \u201csoroban\u201d, abacus, for the resemblance with the Japanese traditional bead abacus.<\/td>\n<\/tr>\n
S-otoko (S-\u7537)
\n<\/strong>		Sadistic man, master. From \u201cS\u201d, abbreviation for \u201csadistic\u201d, and \u201cotoko\u201d, man.<\/td>\n<\/tr>\n
Strappado<\/strong><\/td>\nTie with both hands tied behind the back and suspended upwards with straight arms. By extension, strappado refers also to the tie where the arms are tied straight behind the back. Strappado origins as torture. In Japanese there isn\u2019t a specific term for this torture called generally \u201ctsuri zeme\u201d, or \u201ctorture with suspension\u201d. It can be called \u201cry\u014dte zuri\u201d, or \u201csuspension by both hands\u201d. The tie with the arms tied straight behind the back is called \u201cchokushin gote shibari\u201d (see).<\/td>\n<\/tr>\n
Suruga doi (\u99ff\u6cb3\u554f\u3044)
\n<\/strong><\/strong>		Suspension by wrists and ankles tied together behind the back. Suruga doi origins as torture in Suruga province. Weights may be added to the body\u00a0to intensify the effect and increase the pain. From \u201cSuruga\u201d, a Japanese province, and \u201ctoi\u201d, interrogatory.<\/td>\n<\/tr>\n
Takate kote shibari (\u9ad8\u624b\u5c0f\u624b\u7e1b\u308a)
\n<\/strong><\/strong>		Torso tie with arms crossed upwards behind the back. The translation of this term is uncertain because the same kanji can have different meanings; probably \u9ad8 \u00a0(\u201ctaka\u201d, high) refers to arms \u624b \u00a0(\u201cte\u201d, arm) are crossed upwards. See also \u201cgote shibari\u201d.<\/td>\n<\/tr>\n
Take (\u7af9)
\n<\/strong><\/strong>		Bamboo.<\/td>\n<\/tr>\n
Take shibari (\u7af9\u7e1b\u308a)
\n<\/strong><\/strong>		Ties that incorporate bamboo canes. From \u201ctake\u201d, bamboo, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Tanuki shibari (\u72f8\u7e1b\u308a)
\n<\/strong><\/strong>		Tie where the bottom has hands and feet tied together. This tie can be done in various forms, both on the floor or in suspension: it can be a hogtie with hands and feet tied in front of the chest or behind the back or also with wrists tied behind the legs, face up or face down, . It\u2019s also called \u201ckemono shibari\u201d (see). From \u201ctanuki\u201d, raccoon, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Tej\u014d shibari (\u624b\u9320\u7e1b\u308a)
\n<\/strong><\/strong>		A generic term for single and double column tie. From \u201ctejo\u201d, cuff, and \u201cshibari\u201d, tie. See also \u201cry\u014d tekubi shibari\u201d and \u201ckata tekubi shibari\u201d.<\/td>\n<\/tr>\n
Tengu shibari (\u5929\u72d7\u7e1b\u308a)
\n<\/strong><\/strong>		Chest tie with arms bent laterally. This tie comes from \u201ctengu\u201d, a winged Japanese demon, whose wings are represented by the bent arms.<\/td>\n<\/tr>\n
Tensioned single column tie<\/strong><\/td>\nThis kind of single column tie (see) isn\u2019t close by a knot but works only if the tie is in tension. See also \u201chojo cuffs\u201d.<\/td>\n<\/tr>\n
Tenugui (\u624b\u306c\u3050\u3044)
\n<\/strong><\/strong>		Cloth rectangle (about 90×30 cm) used in Japan as a bath towel, washcloth or just as interior decoration. In shibari it can be used as blindfold or gag.<\/td>\n<\/tr>\n
Tepp\u014d shibari (\u9244\u7832\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with both arms bent, one behind the head and the other one behind the back. This position reminds of a rifle ( \u201ctepp\u014d\u201d in Japanese) worn on the shoulder.<\/td>\n<\/tr>\n
TK<\/strong><\/td>\nAbbreviation used in the West for \u201ctakate kote shibari\u201d (see).<\/td>\n<\/tr>\n
Tome (\u7559\u3081)
\n<\/strong><\/strong>		Friction, or passage that blocks a part of the tie without using knots.<\/td>\n<\/tr>\n
Tome musubi (\u7559\u3081\u7d50\u3073)
\n<\/strong><\/strong>		Simple knot.<\/td>\n<\/tr>\n
Top<\/strong><\/td>\nThe tying person. This term doesn\u2019t presume the existence of a dominant relationship with the partner.<\/td>\n<\/tr>\n
Tsuginawa (\u6b21\u7e04)
\n<\/strong><\/strong>		Rope joined to a previous one. From \u201ctsugi\u201d, following, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Tsukamaki (\u67c4\u5dfb)
\n<\/strong><\/strong>		Tight spiral wrapping made with a rope around another one, done for example to use a leftover rope. From \u201ctsuka\u201d, hilt, and \u201cmaki\u201d, wrapping.<\/td>\n<\/tr>\n
Tsuri (\u540a\u308a)
\n<\/strong><\/strong>		Suspension.<\/td>\n<\/tr>\n
Tsuri nawa (\u540a\u308a\u7e04)
\n<\/strong><\/strong>		Suspension rope \/ line. From \u201ctsuri\u201d, suspension, and \u201cnawa\u201d, rope.<\/td>\n<\/tr>\n
Uke (\u53d7\u3051) or ukete (\u53d7\u3051\u624b)
\n<\/strong><\/strong>		Bottom. This term is borrowed by martial arts and literally means \u201cwho is receiving (a technique or a strike)\u201d.<\/td>\n<\/tr>\n
Uranodome (\u3046\u3089\u306e\u6b62\u3081)
\n<\/strong><\/strong>		A kind of nodome done on the contrary, passing under the rope that we hook. In English it\u2019s called \u201creverse mounter hitch\u201d. From \u201curano\u201d, inverted, \u201cno\u201d, Japanese syllable with a shape like this knot, and \u201ctome\u201d, friction. See also \u201cnodome\u201d.<\/td>\n<\/tr>\n
Usagi shibari (\u514e\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with wrists tied behind the nape; the bent arms remind of a rabbit\u2019s ears. This tie is called also \u201cwaki sarashi shibari\u201d (tie with exposed axillae). See also “k\u014dt\u014dbu ry\u014d tekubi shibari”. From \u201cusagi\u201d, rabbit, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Ushirote gassh\u014d shibari (\u5f8c\u624b\u5408\u638c\u7e1b\u308a)
\n<\/strong><\/strong>		Tie with hands in praying position behind the back. From \u201cushiro\u201d, behind, \u201cte\u201d, arm, \u201cgassh\u014d\u201d, praying position, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Ushirote shibari (\u5f8c\u624b\u7e1b\u308a)
\n<\/strong><\/strong><\/td>\n		See “gote shibari”.<\/td>\n<\/tr>\n
Utsubuse shibari (\u3046\u3064\u4f0f\u305b\u7e1b\u308a)
\n<\/strong><\/strong>		Facedown tie or suspension. From \u201cutsubuse\u201d, face down, and \u201cshibari\u201d or \u201ctsuri\u201d, tie or suspension.<\/td>\n<\/tr>\n
Utsubuse zuri (\u3046\u3064\u4f0f\u305b\u540a\u308a)
\n<\/strong><\/strong>		See \u201cutsubuse shibari\u201d.<\/td>\n<\/tr>\n
Western bondage<\/strong><\/td>\nA kind of bondage used in the West with different techniques, aesthetics and approach to rope play than Japanese bondage. See also \u201cfusion bondage\u201d.<\/td>\n<\/tr>\n
Yokozuwari (\u6a2a\u5ea7\u308a)
\n<\/strong><\/strong>		Sitting on the knee with hips to the side of the legs, used in Japan in informal settings and less tiring than seiza (see).<\/td>\n<\/tr>\n
Yokozuri (\u6a2a\u540a\u308a)
\n<\/strong><\/strong>		Lateral suspension. From \u201cyoko\u201d, lateral, and \u201ctsuri\u201d, suspension.<\/td>\n<\/tr>\n
Yubi shibari (\u6307\u7e1b\u308a)
\n<\/strong><\/strong>		Hand\u2019s fingers tie. From \u201cyubi\u201d, finger, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Yuka shibari (\u5e8a\u7e1b\u308a)
\n<\/strong><\/strong>		Floorwork (see). From \u201cyuka\u201d, floor, and \u201cshibari\u201d, tie.<\/td>\n<\/tr>\n
Yuki knot<\/strong><\/td>\nNeologism born in the West to indicate a knot used by Yukimura sensei in shibari. It\u2019s actually a knot widely used in Japan and used also in hojojutsu. It\u2019s a kind of slipknot. Some artist call this knot with the English transliteration \u201c\u30c0\u30d6\u30eb\u30eb\u30fc\u30d7\u201d, daburur\u016bpu, double rope. From \u201cyuki\u201d, an abbreviation of \u201cYukimura\u201d.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In this dictionary I collected more than one hundred fifty of the most used terms…<\/p>\n","protected":false},"author":1,"featured_media":3964,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,25],"tags":[],"class_list":["post-1876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nawame","category-vlogs-and-posts"],"_links":{"self":[{"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/posts\/1876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/comments?post=1876"}],"version-history":[{"count":29,"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/posts\/1876\/revisions"}],"predecessor-version":[{"id":3965,"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/posts\/1876\/revisions\/3965"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/media\/3964"}],"wp:attachment":[{"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/media?parent=1876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/categories?post=1876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laquartacorda.it\/en\/wp-json\/wp\/v2\/tags?post=1876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}